CAPA WORLD

History and Metaphor

Discussions of colonialism and its legacies are rarely conducted in an ethos of reasoned neutrality. In the midst of the passion and turmoil that marks the discourse, it is possible to discern two distinctive narratives.

The first is historical. In that context, the focus is on the imposition of European control over “less developed” regions and nations for approximately 80 years, broadly from the 1880s to the 1960s. The primary colonial powers were European. Geographically, while there were many colonized regions, much of the debate centers around Africa. The primary example of a colonial power is Great Britain, probably because it was the most dominant and long-lived. Post-colonialism refers to the subsequent emergence of independent nations, often following prolonged liberation struggles, in the 1950s and 60s.

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Blue-Remembered Hills

The playwright Dennis Potter (1935 – 1994) associated the idea of nostalgia for childhood with “blue-remembered hills”: a metaphor for locations distant in time that are formed and reformed in our memories. The notion of “blue-remembered hills” precisely captures the process of reconstruction through which we selectively revisit days long ago and the people who populated that dreamed space. We invest the past with colors that are emotionally, if not literally, true.

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What we remember

The ending of the First World War (1914- 1918) will be widely commemorated on November 11^th  2018. It was a global conflict that began and ended in Africa; thirty per cent of the British troops served on the Eastern Front. The conflict reshaped the international environment.  Old monarchies failed. The Austro-Hungarian and the Ottoman Empires collapsed. New countries in Europe and the Middle East emerged from the ruins including Czechoslovakia, Poland, Yugoslavia, the Ukraine, Estonia, Latvia, Lithuania, Serbia, Iraq, Lebanon, Syria, and Trans-Jordan. The consequences of that war are still part of our global political landscape.

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Well, people try to put us down.
Talkin' bout my generation.
Just because we get around.
I'm not trying to cause a big sensation.
I'm just talkin' bout my generation.

—The Who (written by Marley, Carter, Jones etc.)

The idea that being born at a particular point in time creates some kind of collective identity is a relatively recent invention. The idea of a “generation” only came to be used to distinguish the younger from the older in the early 20th century. As an arbitrary means of interpreting historical change, it implies that those born within a given period are invested with distinctive behavioral traits. Sarah Laskow argued that “Societal generations are a relatively modern idea, hit upon by 19th century European intellectuals and refined in the beginning of the 20th century.” The idea of the generation offers a mechanism by which we impose some kind of pattern upon history: a model defined by age conflict.

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The Attraction of the Jazz Joints

By and large, jazz has always been like the kind of a man you wouldn't want your daughter to associate with.
—Duke Ellington

Jazz is the language of the emotions.
—Charles Mingus

I spent a good deal of my mildly reprehensible youth listening to jazz in places where I was not supposed to be—predominantly in Soho in Central London. From about the age of 14, in the early 1960s, I began a lifelong love affair with jazz—not just the sounds but with the places in which it was played and the people who played it.

Soho has become gentrified in these days and few of the old, smoky subterranean jazz joints remain; none of them are smoky now of course and most have become boutiques or perfume shops—ironically sweet fragrances have replaced the heady mixture of sweat and tobacco. The most famous is Ronnie Scott’s jazz club but it has been deformed into a corporate “venue” for tourists and visiting business types (but at least it’s there, even if hideously expensively and much altered in ethos). These were refuges from respectability.

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"Thoughts on Education Abroad" is a monthly column written by CAPA The Global Education Network's Deputy President and Chief Academic Officer Dr. Michael Woolf.

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Introduction: Safe and Brave Spaces

You might be forgiven for thinking that the history of black–Jewish relations in the United State was one of tension, suspicion, and hostility. For years, the only headlines to include blacks and Jews in the same sentence were ones that screamed mutual mistrust, such as the Crown Heights riot of 1991 and the inflammatory rhetoric of the Nation of Islam's Louis Farrakhan. And yet the truth of that history is more complicated than those examples might suggest…Coalitions of black and Jewish leaders founded the NAACP and the National Urban League; Jewish civil rights protesters and attorneys flooded the South for freedom marches in the '50s and '60s, while prominent rabbis marched arm in arm with Martin Luther King Jr.

"Black Sabbath: The Secret Musical History of Black-Jewish Relations" From the catalogue for 2011 exhibition at the Contemporary Jewish Museum, San Francisco

From every human being there rises a light.

Baal Shem Tov (c.1700 – 1760).

One of the important conversations at the Diversity Abroad conference in Miami (March 2018) focused around a transition in thought from “safe space” to “brave space” in higher education. The idea of “safe space” is protectionist, intended to offer environments in which students who feel marginalized (by race, origin, sexual identity and so on) can feel unthreatened.

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